Dazed and Confused is a touching letter to small town life, growing up, and starting your own journey. It’s a story of learning the rules and learning when to break them, a tale about finding out how to love yourself. Richard Linklater’s famous film tackles many subjects, and seemingly defies genre by being comedic in the best and most natural ways, but maintaining it’s dramatic side without taking itself too seriously. This film is a precursor to many of the movies that Linklater would make later on like Boyhood, and Slacker in which, to be honest, nothing happens. The characters exist as we do, trying to make the best of what they’ve got. What we see is life, there’s no plot to it, rather there is a certain amount of common philosophy and debate. Linklater explores the dumb stuff that comes off as meaningful only in context, in other words, he explores the conversations we have with our friends.
What Dazed and Confused excels at is its believable dialogue, all of these conversations about stupid stuff like whether or not George Washington smoked weed, if going to parties is worth it, the relevancy of your generation. All of these topics are explored by a huge ensemble of fully fleshed out characters. Even though there is almost no ground work to go off of in the beginning of the film, by the end you know each and every character and what they’re like. Most films would crumble under the sheer amount of characters but Linklater balances his cast of characters by having them all be unique in who they are and how they interact. So that when certain characters are discussing if the 70s will be culturally important in one corner of the party you know who’s talking about it because it fits their aesthetic. It works remarkably well, especially when the party is so large that there’s another group of character’s at the kegger talking about whether or not George Washington’s wife had a bowl packed and waiting for him at the end of every night.
Normally, any film that tried to have this much-extended dialogue filled with useless philosophizing and general babble about life would fall apart chronologically. Due to the uniqueness of each ‘crew’ of characters though the movie becomes completely believable as being in one night. Linklater gives the viewer a large view of an entire small town, and then gives us tiny vignettes of different groups and friends within the town, then widens the view again back to the entirety of the school at a party. We as viewers know and understand that when we’re witnessing the nerdy seniors getting burgers, that the jocks are still at the bar shooting pool. We know that all of these stories and events are happening at the same time, some people are just taking a bit longer to find the party. The viewer knows this because we’ve been catching up with all the characters the entire movies, we’ve seen them at the bar or at the burger joint and we’ve been following everyone from the jocks to the popular girls to the stoners. Linklater makes sure that we always have the upper hand in knowing what’s going on and where everyone is going.
Dazed and Confused is a perfectly balanced film and a hysterically entertaining watch, it’s bold amount of characters and endless memorable conversations make it a movie that’s surely a cult classic. It’s a great look at how detailed and memorable any type of film can be as usually coming-of-age films fall into a stoically typical type of plot-line. With Dazed and Confused however we’re entertained from the ending of the school day at the beginning to the kegger that ends it all.